For Those Asking Me About Singing Bowls
Yes, I do have bowls and Gongs — and I truly enjoy helping people find the right ones.
But before you message me, I’d appreciate it if you could take a moment to read this.
Since I get so many messages about bowls, I want to say this upfront.
To be honest, I often find myself repeating the same things over and over — and it can get tiring.
I’ve noticed that a lot of people are looking for something “magical” — bowls made under a full moon, blessed by some lama, infused with meteorite dust, and so on. If that’s your belief, I respect it, but it’s not the kind of work I do.
At the same time, I really don’t want to ignore the people who are genuinely looking for good, honest bowls — the kind that sound right, feel right, and are made with real care.
So this post is meant to help filter that — to share my approach clearly, so the right people find their way here.
It’s going to be a bit long, and I can’t fit everything into one caption here —
so please continue reading in the comments.
These days, singing bowls are everywhere — and that’s a beautiful shift.
Back when we started, we had to go from one antique shop to another, searching through piles just to find a few bowls… and then hope that even one of them actually made a good sound. It took time, patience, and a lot of listening.
Now, things are easier. Bowls are made specifically for sound work, and more people have access. That’s a good thing.
But with that ease has come something else: selling bowls has become a business.
It’s common now for people to walk into shops with their phones, pick some bowls, and sell them online — often adding layers of marketing stories to make them feel “special.”
You’ve probably heard them:
“Forged under the full moon,”
“Crafted by hidden masters,”
“Infused with meteorite dust,”
“Blessed by this or that lama,”
— and so on.
Some even stamp logos, mantras, or dates on the bowls to make them look more “authentic.”
If that’s what you’re looking for, then we’re probably not a good fit.
Because for me, all of that distracts from what really matters: the sound.
I’ve always appreciated bowls that speak through their tone, their presence, their quiet character — not through made-up stories or fancy inscriptions.
It honestly saddens me to see these powerful instruments turned into trendy, branded objects.
A good bowl should carry its own soul. It should deepen over time, grow with you, and support your practice — not feel like a collectible from a fantasy shop.
My approach is simple:
No myths. No exaggeration. No magical claims. Just real sound, real attention, and respect for the instrument.
For over 15 years, I’ve worked closely with singing bowls — not just selling them, but using them, learning from them, and guiding others to understand them better.
I work with musicians, psychologists, therapists, healers, frequency workers — people who actually listen and use sound with care and presence.
Most of the bowls/Gongs I offer fall into two categories — both hand-hammered.
One is antique bowls, crafted long ago. I’ve built a strong personal collection and continue to add more through trusted collectors. If you’re looking for antiques, let me know directly.
The other is modern bowls / Gongs, hand-forged today, but chosen with the same sensitivity.
I usually make bowls two or three times a year — a large batch each time — and from that, I carefully handpick the ones that stand out.
I live with them, play them, and listen for cracks, imbalances, or harsh tones.
Only when I’m fully satisfied do I group and offer them.
This process brings me peace — and ensures you get something real and trustworthy.
These bowls aren’t decoration. They’re tools — for healing, for space, for deep practice.
I don’t have an online store or a system for uploading recordings of every bowl. That’s not my primary work — and recording each one individually would take forever.
So if you’re looking for clear, grounded, high-quality singing bowls — without the stories — you’re very welcome to message me.
And just to be upfront —
Please don’t ask about 7-metal, 11-metal, moon phases, meteorites, or blessings from hidden lamas in caves.
I understand the appeal of those things, but I simply don’t resonate with that path.
I want to give my time to those who truly care about sound, about quality, and about doing this work sincerely.
This message helps me connect with people who are aligned with that approach — and I’m grateful you took the time to read it.
If you resonate with my message and approach, and still wish to acquire singing bowls from me, feel free to reach out at anupscore@gmail.com with the subject line “Singing Bowl”.